There are a few other tenor guitars on the market, but none that pack the Series 7’s combination of excellent tone, vintage mojo and incredible value. RK’s exclusive CrossLap bracing results in an extra-responsive top to help you cut through the mix. The 23″ scale makes it easy to navigate the entire fretboard, and the bone nut & saddle insure resonance at all the string contact points. The Doug Foster Selmer Maccaferri-style tenor guitar was initially what sparked the obsession of looking out for commercially manufactured tenor guitars. Recording King’s Series 7 Tenor Guitar has a familiar 000-size body, with the same retro aesthetic as other Dirty 30s models. The tenor guitar, generally tuned CGDA, has long been a staple of old-time players and has continued to pique the interest of the mainstream musicians looking to augment their sound. ![]() The Recording King Series 7 Tenor guitar gives jazz, folk, and old-time guitarists (and banjo players!) a high-value, mojo-packed, great-sounding tenor to add to their collections. The price was 350, which was expensive and on a par with Gibson’s top electrics, the ES-350 Premier in natural finish at 340 (plus case) and the natural-finish ES-5 at 390. Players have been asking Recording King designers for years to release an affordable tenor guitar in the Dirty 30s style. With a standard guitar and a mandolin already in his arsenal, Cosby ordered a Bigsby tenor, which he received in 1949. ![]() ![]() ![]() Featuring enhanced sonic benefits from RK’s exclusive Cross Lap bracing and bone nut and saddle, this comfortable 23″ scale tenor guitar is sure to introduce the joy of playing tenor to a whole new audience. Nashville, TN - Recording King‘s mid-20th-Century vibe continues with the introduction of the Dirty 30s Tenor Guitar.
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